Functional-semantic fields of versification techniques in the Spanish drama
https://doi.org/10.18384/2949-5075-2023-5-98-107
Abstract
Aim. To prove the existence of certain semantic load and functional potential in different techniques of versification as rhythmization means of Spanish dramaturgical texts.
Methodology. To achieve this aim, the methods of semantic and stylistic analysis, contextual analysis and hypothetic-deductive reconstruction of the pragmatic effect sought by the author were used. The use of versification in Spanish drama in diachrony, from the formation of Spanish drama theatre to the present time, was analyzed. The article presents a comparative analysis of playwrights’ approaches to versification in the functional-semantic aspect.
Results. The conclusions are made that versification in Spanish drama texts can be a component of some functional-semantic fields.
Research Implications. The consideration of prosodic and rhythm formation in the pragmatic and functional aspect updates the approach to the subject of functional linguistics and pragmalinguistics.
About the Author
Е. С. Goncharenko
Moscow State Linguistic University
Russian Federation
Russian Federation
Elizaveta S. Goncharenko – Senior Lecturer, Department of Spanish Language and Translation, Faculty of Translation and Interpretation
ulitsa Ostozhenka 38 build. 1, Moscow 119034
References
1. Boichuk E . i . Analiz ritma prozy (na materiale frantsuzskogo yazyka) [Analysis of the rhythm of prose (based on the French language)] . Yaroslavl, Kantsler Publ ., 2019 . 232 p .
2. Boichuk E . i . [Rhythm in literature and music] . in: Vestnik Moskovskogo gosudarstvennogo oblastnogo universiteta. Seriya: Lingvistika [Bulletin of the Moscow Region State Univesity], 2010, no . 1, pp . 31–36 .
3. Bondarko A . V . [introduction . Foundations of functional grammar] . in: Teoriya funktsional'noy grammatiki: Vvedeniye. Aspektual'nost'. Vremennaya lokalizovannost'. Taksis [Theory of functional grammar: introduction . Aspectuality . Temporal localization . Taxis] . Leningrad, Nauka Publ ., 1987, pp . 5–39 .
4. Gasparov M . L . Metr i smysl [Meter and meaning] . Moscow, Fortuna EL Publ ., 2012 . 416 p .
5. Goncharenko Ye . S . [Semantic halo and suggestive potential of metro-rhythmic structures (based on the poetry and translations of Sergei Goncharenko)] . in: Cuadernos de Rusística Española, 2021, no . 17, pp . 77–89 . Available at: https://revistaseug.ugr.es/index.php/cre/article/view/21002/22409 (accessed: 29 .12 .2022) .
6. Goncharenko S . F . Sobraniye sochineniy v 3-kh tomakh. T. 3. Monografii [Collected works in 3 volumes . Vol . 3 . Monographs] . Moscow, Rema Publ ., 1995 . 299 p .
7. Moskvin V . P . Ritmicheskiye sredstva yazyka: Figury i stili [Rhythmic means of language: Figures and styles] . Moscow, Flinta Publ ., 2020 . 560 p .
8. Silyunas V . [Theatrical manifesto of Lope de Vega] . in: Voprosy teatra [Problems of the theatre], 2018, no . 1-2, pp . 529–540 .
9. Shliakhtina E . V . [Translation of rhythm figures in literary prose from English into Russian (a study of K . Atkinson “Life aſter life”)] . in: Vestnik Moskovskogo gosudarstvennogo oblastnogo universiteta. Seriya: Lingvistika [Bulletin of the Moscow Region State Univesity], 2019, no . 5, pp . 149–161 . DOi: 10 .18384/2310-712X-2019-5-149-161 .
10. Shteyn A . L . Istoriya ispanskoy literatury [History of Spanish literature] . Moscow, URSS Publ ., 2001 . 605 p .
11. Gili Gaya S . El ritmo de la lengua hablada y de la prosa literaria . Madrid: Escuela Central de idiomas, 1962 . Available at: https://fonsespecials.udl.cat/bitstream/handle/10459.3/30/OP-053.pdf?sequence=1&isAllowed=y (accessed: 12 .06 .2022) .
Supplementary files
Review
Views:
75
Email this article 
